Vessel Post Mortem: Part 3

Original Author: Tony Albrecht

This is the final part of the Vessel Porting Trilogy. The previous parts can be found here


After the Christmas break (where I was forced into yet another family vacation) I dove straight back into the code, hoping to get the final issue fixed and the game submitted as soon as possible. There was still time to submit and if I passed Sony’s submission process first time then we could still have the game on the PSN store by the end of January. I fixed the remaining problem with the start up error reporting and added in a little more error checking just to be sure. I was pretty paranoid about the submission process as I didn’t want to delay the game anymore by failing – I carefully checked everything twice, crossed my fingers and hit the ‘submit’ button to Sony America (SCEA) on January 9.

M._Arkwright_Sprays_Lava_Fluros_with_Liquid_Gun

In parallel to the code submission process there is a ‘Metadata’ submission process. This corresponds to the PlayStation Store assets and the game’s presence there. It consists of all the text, images, trailers, prices etc and they all have very specific requirements that must be met in order to pass submission. James (our QA guy) managed most of this and involved communicating with Strange Loop’s art guy Milenko (who was incredibly responsive – I’m not sure he ever sleeps) and consisted of asking for different resolution images and screenshots, as well as sourcing the different language versions of the game text. It took us a few submissions of the meta data to get it all right, but the turnaround was pretty quick and a continuous dialog with the Sony helped a lot.

The code submission process consists of uploading the game in a special package format plus some extra documents that describe the trophies and other bits and pieces. We had to submit to both SCEA and Sony Europe (SCEE) so we could have the game released in both those regions. We hadn’t submitted to SCEE at the same time as SCEA as we were still waiting on some publisher registration details to come through, so all I could do was wait for that and for the response from SCEA on our initial submission while I busied myself with some other work.

On January 18th I received the first fail from Sony. As fails go, it was a pretty good one. There were three “Must Fix” bugs: one was due to my entering the wrong data in a field when submitting the game package, and two were due to saving games failing when there was no disk space left. They’d also mentioned some slowdown in some of the levels – I’d expected that, and as it wasn’t a critical bug, I ignored it. The save game bugs proved troublesome – Ben had written all of the save game code and with him gone I now had to learn how Sony wanted you to do it, how Ben had done it and how I could make it work correctly. It took me a few days to find and fix the problems and by this time the details that SCEE required had come through so I resubmitted to SCEE and SCEA at the same time (January 24)

I was quietly confident that it’d all pass this time. I’d thoroughly tested the save game code now and it all worked. What could go wrong? I seriously considered heading out and buying a bottle of Chimay Blue as a pre-emptive celebratory reward.

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JazzMonster

I eventually tracked the crash bugs down to a simple stupid error. There was a section of code that was responsible for limiting the amount of fluid, fluros and seeds in a given section. When the frame rate dropped below 60fps, this code would kick in and drop the number of drops/fluros or seeds to the minimum value deemed suitable for that level. During the final stages of development we had created a FINAL_RELEASE mode which turned off all of the unnecessary debugging code. Unfortunately, this erroneously included some code which updated the time values that the limiting code used, so the fluid, fluros and seeds were never being reduced. Ever. This meant that the game would have been running much slower than it should have, and was prone to crashes whenever certain hard coded limits were exceeded. I’ve never been so relieved to fail anything.

Something I’d like to focus on here is the level of performance that Vessel was submitted with; Ben and I spent a huge amount of our time just trying to squeeze as much performance out of this game as possible on the platform we had. For the most part, I’m pretty happy with the results. Yes, you can abuse the game and make it slow down quite easily – if you try to fill a room with fluros and water and seeds then you’ll most likely see some slowdown – but during normal play, the game maintains 60fps simulation at 30fps frame rate (the graphics is 30fps, so there are two simulation passes per visible frame). However there are a few levels where the sheer number of fluoros and fluid required to solve the puzzles means that the frame rate will drop to 20fps. Given another month I reckon I could have fixed that too, but given how far over time and budget we were, that wasn’t an option. So, while I’m happy with how much we improved the frame rate of the game, I’m still a little disappointed that we didn’t hit a full 60fps simulation everywhere.

Sure, the PlayStation 3 hardware did slow down the porting of the game initially, but given the complexity of the fluid simulation required I doubt that there will ever be an Xbox 360 version released. The SPUs allowed us to perform at least 80% of the physics simulation completely in parallel – with no impact on the main processor at all. There is no way you’d get the same level of performance on the X360.

PlayStation_3_Controller

With the FINAL_RELEASE bug fixed and the game resubmitted to SCEE and SCEA (which passed on the 20th and 22nd respectively) I was finally free! The metadata was all sorted and we’re now expecting the release on March 11 in the SCEA territories and March 12 in the SCEE regions. We’re all hoping it does well enough to cover our costs (as all devs with newborn progeny are).

What went right

Having a QA guy in house was invaluable. An impartial, non-technical third party to throw our fixes at kept us honest. As a developer you get very close to the game and like to assume that your fixes have made a positive difference and you’re moving forwards. That’s not always the case.

Honest communication with the Publisher/client. I tried to keep John at Strange Loop Games constantly up to date with the progress (or lack thereof) of the game. He was incredibly understanding with the continuous delays, and while it was hard to deliver bad news, at least it reduced the surprises.

Having good, experienced coders on the job. Bringing Ben onboard was a good choice, even though we had to let him go in the end. There is no way I could have done this without him. Working from the same physical office was also beneficial. I worked remotely for over 5 years leading up to this port, and I think we’d have delivered even later if we’d worked separately.

What went wrong

Work estimation. I fundamentally underestimated the amount of work required. I should have applied Yossarian’s Circular Estimation Conjecture and multiplied it by PI – that would have been closer to the mark. The big killer was the misunderstanding with which threads needed to run at 60fps. If it was just the physics I’d underestimated, we probably would have been a shade over a month late (maybe two), but with both the physics and game threads needing to execute in under 16.6ms, we really had our work cut out for us. The amount of time taken for submission shouldn’t be forgotten either; 4 to 8 weeks after the initial submission should see your game on the store.

I’d also recommend to anyone doing a console game that they get as much TRC compliance done as soon as possible in the development of the game. Get the load/save stuff working, trophies, error reporting, quitting, controller connection, file error reporting and the like in place and functioning sooner rather than later.

In Closing

The porting of this game was a trial for me. There was a week or two around September/October where I was really doubting that we could deliver a game that ran at a playable frame rate. I’m proud of what we delivered in the end, and if you’d taken away the financial and time pressures I would have thoroughly enjoyed the challenge. I’ve learnt a lot from this experience, and I’m looking forwards to the next one.

Just not right now, OK? Maybe a bit later in the year.